Press
Aputure Lighting Featurette
"When DP Chris Stacey heard that the script called for duck blinds, boats, and trailers, he knew that it meant some rugged on-location shooting. The production was out in Louisiana in shallow lakes and marshes where Chris strapped on his heavy swamp bibs with a camera on his shoulder, knee-deep in water. Why? Because the story called for an intimate, natural look that you can only get with the camera close-up to the actors riding in boats on-location. How do you light for such a movie? With the power of lightweight and durable fixtures, Chris and his crew were able to squeeze into everything from tight trailers to moving trucks in the rain to get the shot they needed. They relied upon remote-controllable bulbs to quickly adjust to the color temperature they needed to match with other existing practicals and weather-resistant units that held up in thunderstorms to keep shooting the next day. In this video, you'll learn about the different techniques they used to get around on-location challenges and how to craft the look of a movie around themes of romance, abuse, and family."
The Blind Review
worthitorwoke.com
"Based on the real-life events of Phil and Marsha (Miss Kay) Robertson, The Blind delves deep into their lives, starting with their childhood and concluding with Phil’s descent into darkness and life-saving salvation.
Redemption stories are the ultimate underdog tale, and that is one of The Blind’s strongest assets. However, it’s certainly not its only one. It’s a beautifully shot film and cinematographer Chris Stacey should be applauded for his efforts. He provides some exquisitely framed moments and does an excellent job of visual storytelling without getting in the narrative’s way by over-stylizing, which is a particular triumph when one considers The Blind is his 3rd feature-length film."
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